An Imprisoned Man’s Resilience Keeps Hope Alive For Wines In Southern Portugal

The fun and uplifting accordion music made people spontaneously dance around as the delicious smells of lamb stew and sausages filled the room. Wives and husbands broke out in song singing old traditional melodies, reminding themselves of their children as these were the songs they would always sing to them. The accordion player started to smile ear to ear, hearing songs that touched his soul as tears welled up in his eyes and when he couldn’t hold back any longer, they started to stream down his face. An overwhelming mixture of emotions overtook this man; some of his feelings were rooted in the happiness of seeing so much joy but there was a deep sadness as he was away from his family. His wife and kids were in Brazil and he was still in their home country, Portugal, a prisoner of the new government.

This accordion player, José Roquette, like the other men imprisoned, was a businessman who, at one time, ran one of the top banks in Portugal. Once he realized he would be sent to prison, he told his wife to leave with their kids simply saying, “All of you need to leave because then, if they kill me, it is just me.” But even with such a grim statement, he kept his spirits up as they allowed him to bring his accordion and permitted the other men’s wives to bring home-cooked food. Some of the guards would smile and laugh during these impromptu parties but others seethed with hate, as to them, in their brainwashed minds, these prisoners kept them in poverty as the propaganda from their new Soviet-like communist regime had reinforced such thoughts.

Even the talk that circulated around the prison, that all the prisoners would be taken to an arena, typically used for bullfighting, and shot dead, didn’t weigh on José as he felt there was nothing he could do about it and at least his family was safe.

Herdade do Esporão 

Sign to Herdade do Esporão estate
Photo Credit: Esporão

“My father is very brave,” said João Roquette, José’s youngest child, when telling the story of what happened almost 50 years ago. In 1975, when the Soviet Union backed the Portuguese military to install a repressive communist regime, they started throwing people in jail and everything became nationalized. João father had started a winery in the southern wine region in Portugal called Alentejo on an old estate named Herdade do Esporão (a.k.a. Esporão), one of the oldest estates in Europe demarcated in 1267, before the communist regime took over. Eventually, José joined his family in Brazil. After five years of living outside of Portugal, José brought his family back to their Portuguese home when a new election established a democratic socialist government.

José wanted to get back to working on the winery as the area surrounding their vineyards was a very depressed place with poor people who were, for the most part, forgotten. His dream was to build a wine business that was so successful that it would give opportunities to many of the families struggling in the area. But it wasn’t easy and after José and his partner spent a lot of money on an elaborate winery and cellar, as well as planting new vineyards, they were barely making enough to cover their costs. 

Despite José’s love for drinking wine, he had no experience in running a wine business, so his partner suggested selling the company and it was known at the time that the illustrious wine family, the Rothschilds, were looking for a wine estate in southern Portugal. José’s partner was in talks with the Rothschild family about visiting them and when it came up if there was an airport near the Esporão estate where they could land their private plane, the partner quickly replied yes. But there was no airport. Instead, they were able to contact a local guy who would make a runway. Even though a significant investment was never recouped, José still dreamed of lifting up the local area, so when the Rothschilds passed on the deal, José bought his partner out. He then hired a general manager with lots of experience to help make Esporão a successful wine producer. 

As time went on, Esporão wines became one of the most popular wine brands in Portugal for everyday moderate-priced drinking wines. Yet out of all six of his kids, none showed an interest in taking over which became a problem as José was approaching his golden years. José’s youngest son, João, who also inherited his father’s deep love for music, came back to Portugal after living in London and Barcelona; he was a banker by day and a jazz musician during his off time. 

Sheeps on the Esporão estate in Alentejo Photo Credit: Esporão

Despite João working at a bank in Lisbon, he decided he didn’t want to live in the city alone, so he lived in his family’s home in Alentejo with his parents, staying there three days a week. It was a fascinating time for João who was extremely intrigued by the winery, vineyards and how everything intertwined with the tight-knit community, something he desperately missed when he was away. João started to become close friends with the general manager at the winery and one day the general manager told João that he wanted to retire; still, he was conflicted as the business might not be able to continue without him.

João knew the general manager was right as it would be too much for his father to have to find a new person to run the company and João’s siblings had no interest in the wine business so his father would be forced to sell, sell to a company that may not have the same intention of helping the impoverish surrounding villages. But João wasn’t sure if he could do it as he was 32 years old and hadn’t managed more than two people in a bank. He was not the same man as his father who never doubted anything; he did not have the same confidence level. But the winery, vineyards and people had become his home and he couldn’t bear the thought of losing it so he decided to slowly transition into running things with the guidance of his general manager.

It is in the Soil 

Bird’s-eye view of Esporão estate
Photo Credit: Esporão

There was no more room to expand the market share in Portugal so João knew that they needed to find a way to build markets in other countries. They needed to start making higher quality wines if exporting was going to be the next goal, so, João and his general manager began reading books and going to conventions where they would meet one of the most respected soil analysis in the world, Claude Bourguignon. Claude believes there are two types of soils for making wine: the first expresses the grape variety and the second expresses the terroir, sense of place. Much of the Herdade do Esporão estate had many of the factors to produce a terroir-driven wine yet the soil needed a lot of work as the samples that Claude examined had very little microbial life. This sent João on a journey of understanding the ins and outs of organically grown grapes.

João Roquette on the Esporão estate Photo Credit: Esporão

But to João’s dismay, all the organic wines he tried back in 2005 seemed pretty bad as the whole impetus to go organic was to raise the quality of the wines significantly. But as he started to try organic wines around the world, he found some wonderful examples and he realized it wasn’t organic farming that was the problem. Through time, they have been able to make 100% organic work on the estate and isolate seven different types of soils among their almost 1,500 acres of vineyards with 40 types of grape varieties planted throughout as Portugal has a wealth of native grape varieties. To manage such a large and diverse ecosystem, João has hired a full-time biologist and a full-time IT guy to work in partnership with each other as the former will collect information from bioindicators and the latter will work with that data to help the vineyard management team work efficiently and effectively in the various parcels.  

Fox on Esporão estate
Photo Credit: Esporão

After a few years of setbacks in the beginning, Herdade do Esporão has been organic for over a decade and now João finds obvious markers of greater quality to the wines, such as balance, concentration, intensity and complexity, yet there is also an energy present that wasn’t there before. It reminds him of being a jazz musician and listening to the recordings where they improvise compared to redoing that arrangement, avoiding the initial mistakes. The polished set they had worked on had “no energy” to it, according to João, as there is something electric and compelling about that first improvisation. When it came to his wines, first he needed to bring the soil back to life, then he needed to keep that life going and not do anything to try to cover that vitality from coming through in the wines.

No Regrets

João is very different from his father and maybe that is part of why they have become such close friends in the process of João taking over the winery. It took a larger-than-life figure like his father to go through such unstable times, to pass on the temptation of starting a great life somewhere else but instead return to his mission of establishing a project that would keep the communities around their estate vibrant. 

Esporão estate vineyards
Photo Credit: Esporão

Today, in his own focused and quiet way, João has brought his family’s wine estate to the next level while constantly looking up to his father for inspiration. João’s wife has also expanded the mission as she left a very successful interior designer job to work with elders in remote villages who are the last to carry on their traditional arts and crafts. She commissions original pieces from them with a modern edge that is bringing appreciation from a new generation and expatriates who have moved to Portugal, and hence, commands higher prices that will not only be able to support these older people in their poor towns but encourage the younger people to take up these traditional arts.

Amazingly, João says his father has no regrets or resentment towards what happened all those decades ago when he was incarcerated. He understood that the Portuguese people were lied to, and like in many governments, the officials would rather point the finger at a particular group as causing the people’s struggles instead of taking responsibility themselves as paid politicians. His father loved the U.S. and even though it did enter his mind that the family should move to America during Portugal’s dark time, he knew that once the communist regime was thrown out, there would be a focus on improving the economies in the cities but there would be no assistance for the people in the remote villages. And all those memories – playing the accordion, people dancing and laughing, as those communities might be poor financially but are wealthy in enjoying what is most precious in life, lived in his heart.

And today, his father gets to witness with his own eyes that his mission has gone way beyond his wildest dreams as 300 families from those remote villages are employed by Esporão and it has been one of the most gratifying things he has done; so yes, no regrets whatsoever, only gratitude.  

***Link to original article published on Forbes: https://www.forbes.com/sites/cathrinetodd/2022/12/11/an-imprisoned-mans-resilience-keeps-hope-alive-for-wines-in-southern-portugal/

Herdade do Esporão Reserva
Photo Credit: Esporão

Esporão has also invested in buying wine estates in the North, one in Vinho Verde called Quinta do Ameal and one in the Douro Valley, Quinta dos Murças. The vineyards in the Douro Valley and Alentejo are 100% organic but the Vinho Verde is not 100% organic as it is wet and cool in that area, so more difficult to do organic every year. 

2021 Herdade do Esporão
‘Monte Velho’
Photo Credit: Esporão

2021 Herdade do Esporão ‘Monte Velho’, Alentejo, Portugal: Red blend of 40% Aragonez, 35% Trincadeira, 20% Touriga Nacional and 5% Syrah. Rich blueberry fruit with hints of lilacs and blackcurrant leaf with round tannins with an overall harmony, retailing for only $15.

2019 Herdade do Esporão, Reserva, Alentejo, Portugal: Red blend of 30% Aragonez, 20% Cabernet Sauvignon, 20% Trincadeira, 15% Alicante Bouschet, 5% Syrah, 5% Touriga Nacional and 5% Touriga Franca; all from the Esporão estate vineyards that are 100% organic. Multilayered juicy fruit with red cherries, blackcurrants and warm blueberries with silky texture, and crushed rocks and cocoa nibs on the long finish with lots of concentration. Impressive especially considering it only retails at $25.

2017 Herdade do Esporão
‘Torre do Esporão’
Photo Credit: Esporão

2017 Herdade do Esporão ‘Torre do Esporão’, Alentejo, Portugal: Red blend of Aragonez, Touriga Franca, Touriga Nacional and Alicante Bouschet from their oldest vineyards. An enchanting nose with raspberry tart, violets and stony minerality with an exquisite balance to this wine that will make it irresistible to anyone who tries it. It has finely etched tannins with a supple texture and nuanced layers of spice and pristine red fruit on the extraordinarily long finish. All finesse with this wine. Retailing at $300. A rare wine, as this is the fourth release, and it only comes out in outstanding vintages. The vintages released are 2004, 2007, 2011 and 2017. They have a special winery just for this wine and the Private Selection, and so, in years when they don’t make the Torre do Esporão, they will make the Private Selection instead. This special winery has lagares for foot-treading the grapes. They will launch 75% of the 2017 now and in five years, release the other 25% onto the market.

2021 Ameal Loureiro
Photo Credit: Esporão

2021 Ameal, Loureiro, Vinho Verde, Portugal: 100% Loureiro grape variety. Lemon zest and citrus blossom on the nose with an underlying note of chalky minerality with a good mid-palate weight, ripe white peach flavors and mouthwatering acidity. Vinho Verde made its name on quaffable wines but smaller producers, in the past, never made it to export markets, so the serious, high-quality white wines of the area never made it to the U.S. This is one such property that has been a pioneer in making single-varietal Loureiro, an indigenous white grape, wines for 50 years and these wines can age beautifully for a couple of decades as they take on Riesling-like qualities with age. This property belonged to João’s friend’s father as he was ready to retire, so João bought the estate. João said that Loureiro often produces large yields, hence, the wines can be thin and highly acidic, which is acceptable in a blend for quaffable, fizzy wines. But these vines are older, producing lower yields, and the vineyard is located in the warmer Lima Valley, hence, the wines have more concentration that balances out the high acidity. João also makes two other bottlings of this estate, one that uses concrete eggs and the other is a Reserva using 2,000-liter Austrian oak tuns. Retailing at $18.

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Wine Tasting Spanning 100 Years From Wine Producer Showing That Bordeaux Has Terroir

Château Le Puy century wine tasting at Le Bernardin Privé
Photo Credit: Château Le Puy

The warm wood panels, rippled blue walls and the glow of the amber-colored lights gave an overwhelming feeling of tranquility as wine trade from all over the world came to Le Bernardin Privé for an epic wine tasting that spanned a century. A unique wine producer, Château Le Puy, from the Right Bank of the Bordeaux wine region, was illustrating how their over 400 years of organic grape growing and natural winemaking practices produce outstanding wines with a distinctive sense of place that can stand the test of time – even past 100 years.  

A woman entering the room stopped in her tracks as one of the most glorious sights she had ever seen was presented: an endless line of wines ranging several decades from a well-admired producer. At first, she took a double-take as she couldn’t believe what she saw with her own eyes, a 1921 vintage! The very site of such a vintage started to make her giddy with anticipation. As the wine was poured into her glass, its pale garnet color with orange hues let her know that this was indeed a significantly older wine. “I’m going to have to swirl this wine for several minutes,” she thought to herself, as she suspected a lot of funk from a centenarian wine, and so, she would have to swirl her glass fiercely for it to blow off. But no, to her complete delight, the nose immediately beckoned to her with energetic and bright notes such as red cherries and cardamom spice and the palate was even more spectacular with the silkiest texture that she had experienced from a Bordeaux wine. However, this 100-year-old beauty still had all the benefits of age such as the complex aromatic layers of earth and cigar box with a finish that was so delicately enchanting that it took her breath away.

As she picked up the 1921 bottle, she stood there awestruck by the very notion that not only was she holding a stunning bottle of wine but it was a wine made by people who had long passed and who lived during such a different time.

1921 Vintage 

Today, Le Puy is co-owned by family member and winemaker Pascal Amoreau and as he stood there after the epic century tasting with his son by his side, he showed gratitude to his family lineage, such as his great-grandfather, Jean Amoreau, for never succumbing to the temptation of using chemicals or fertilizers in their vineyards. It was after World War I, which was plagued with brutal combat under horrific conditions, and Jean found himself in a deep depression before the start of the 1921 growing season as the stock market crashed and wiped out the family’s total savings. He blamed himself as he should have known that the times were too unstable but his smooth-talking banker had won over his trust.

Pascal Amoreau and his son
Photo Credit: Château Le Puy

Jean’s wife sold beans from her garden to help the family out and one day she took a more prominent role in becoming the winemaker when all the men enlisted in the army for World War II. But during that time, Jean could not even imagine another colossal war or that things could get even worse for him and his family. The good growing season for the wine grapes lifted his spirits and the warm summer encouraged him to spend as much time outside as possible which came in handy as he hunted for game to keep the family going without the safety net of savings. Amazingly, he never buckled to try the easier route of using chemicals once they became available after the Second World War as his wine Le Puy was cherished for its “medicinal” properties and out of the medicinal wines in the area, it was considered the highest quality. Over 40 years later, in 1964, Jean’s son helped establish an organization that pioneered agro-biology and biodynamics in France, sticking to biodynamics for decades even when such practices were ridiculed. But the Amoreau family upheld the values of practicing biodynamics1

Château Le Puy’s Commitment to Terroir 

Château Le Puy estate
Photo Credit: Château Le Puy estate

Le Puy’s fierce commitment to the expression of terroir, sense of place, in their wines goes against the general preconceptions of what Bordeaux mainly emphasizes, such as the name of the château or the larger sub-region (a.k.a. appellation). The specific vineyards, many times, do not take center stage. Harold Langlais, a partner with the Amoreau family in running Château Le Puy, illustrated this point by saying that they always have someone coming by their property asking why they don’t have a sign with the name of the château on it. And it is because Le Puy is first and foremost about the vineyard being the star, hence, why they do not focus too much on their name. 

The vineyards of Le Puy are located on a limestone rock plateau just east of Saint-Émilion and Pomerol and the limestone does a good job of absorbing water, so during hot temperatures, they still have a good natural water supply, which allows for transpiration2, cooling the microclimate within the canopy of the vines. Interestingly, the châteaux that produced fresh wines during the extraordinarily hot vintage of 2003 in Bordeaux had soils that retained water. But making sure to work naturally in the vineyards is not enough for Le Puy for the overall expression of terroir as they made sure that almost half of their 247-acre estate is made up of a protected natural reserve with forests and ponds that surround the vineyards, hence, truly living up to the biodynamic ideal of encouraging harmony through natural symbiotic relationships. According to the Amoreau family and Harold Langlais, it is impossible to have true biodynamics without a thriving ecosystem.

Château Le Puy uses horses in their vineyards Photo Credit: Château Le Puy

Once the grapes are harvested, it is then critical to not alter the purity of the terroir in the winery, and so, Le Puy has a low interventionist attitude in the cellar: spontaneous fermentations with wild yeasts coming from the vineyards, no punch-downs and no pump-overs for extraction as they macerate the wine like a tea and no filtration.

The Future of Le Puy

Back in 1921, Pascal’s great-grandfather could have never imagined that Le Puy would someday build a devoted following all over the globe. Of course, they have a core group in the Western world of Le Puy lovers, yet on the other side of the earth, they have one of the most famous fine wines in Japan. In 2004, two Japanese manga (graphic novel) authors featured 12 fine wines in their hit comic series called The Drops of God, with there being a 13th wine called ‘The Drops of God,’ which was never revealed in the comics as it stated that every person has their own personal taste of what ‘The Drops of God’ wine should be. But when the television adaptation of this comic series came out in 2010, the 2003 Château Le Puy was chosen as ‘The Drops of God.’ Pascal’s father, Jean-Pierre, ceased international sales of the 2003 as he was afraid that the price would be driven up to such a level that their wines would become out of reach for their longtime loyal customers.

And today, while the Amoreau family and Harold Langlais continue the work that goes back 400 years, they have expanded the mission to include a more precise expression of terroir with their Château Le Puy ‘Barthélemy’, which comes from a plot that has 12 inches of clay top soil above the limestone rock plateau as opposed to their flagship wine Château Le Puy ‘Emilien’, sourced from the rest of the vineyard, which has topsoil that contains red clay, silt and limestone above the limestone rock, with ‘Barthélemy’ being typically a deeper and denser wine. Also, their ‘Retour des Îles’ wines, which include four barrels of ‘Barthélemy’ that are placed on a cargo ship that only uses sails to propel the boat, travels for eight months on water replicating how wines traveled in the distant past, display an intriguing evolution to the expression of terroir that is created by such a journey. And one day, Harold said he would like to hold onto the bottles of their flagship Château Le Puy ‘Emilien’ wines longer so that when it reaches the end consumer, it shows its “full identity.”

Many of the practices of Le Puy, such as the various biodynamic practices, make common sense and it comes down to having a large workforce with 20 workers in the vineyards. Yet how some of these practices are implemented, such as following the moon’s phases, can be challenging concepts to wrap someone’s head around. But Harold says it best when he emphatically states, “We make emotional wine,” and he explains it by saying that Jean-Paul Sartre, a French writer and existentialist, said something to the effect that emotion is the sudden dive of one’s consciousness towards the magic.

There is a time and place to judge things based on numbers and statistics as well as the acceptance of the grimy aspects of reality that is part of a life lived. Yet, at times, even the most agnostic realists will find themselves on their knees asking for something greater than themselves to help them find the light in the darkest times in their lives. That something greater has many names given by various people worldwide, but to the team at Le Puy, it is simply known as magic.

***Link to original article published on Forbes: https://www.forbes.com/sites/cathrinetodd/2022/12/08/wine-tasting-spanning-100-years-from-wine-producer-showing-that-bordeaux-has-terroir/

Château Le Puy: 1 Century 1921-2021 of Wine Photo Credit: Château Le Puy

Château Le Puy ‘Emilien’ vertical tasting:

1921: Garnet color with orange hues, an energetic nose with bright notes such as red cherries and cardamom spice and an incredibly silky palate with broken earth and cigar box notes on the finish – delicate yet vibrant.

1932: Deeper garnet color with cinnamon stick and nutmeg on the nose and zingy sour red cherries with dusty earth on the palate.

1944: Similar in color to ’32 with aromas of dried wildflowers and toasted almonds with some grip on the tannins and dried herbs on the finish.

1949: This color was lighter than the ’44, with an exciting nose of crumbled gingerbread and bacon fat that has a linear body with tart red fruit.

1953: This was one of the palest colors with a delicate nose with subtle hints of forest floor, white pepper and black raspberry fruit on the palate with a fine tannic structure.

1957: Such a refreshing nose that is reminiscent of a walk in the forest after it has rained, with fresh basil leaves and savory spice on the finish.

1964: Sandalwood incense with crushed rose petals and ripe black raspberry fruit with sculpted tannins giving it lift.

1971: Interesting that this vintage could compete for the palest wine with the ’53. A very pretty nose with lots of perfume and sweet fruit such as cherry pie and cinnamon rock candy with a hint of cured meat to balance the sweet qualities with a round texture.

1977: Some youthful ruby hues showing in the color with fresh sage and thyme on the nose and a fleshier wine than the previous vintages with wild berry flavors.

1980: Mint and eucalyptus on the nose with dried blueberries and touches of morel mushrooms that has a real finesse to the texture.

1985: Fine sediment in the wine with more ruby hues showing in the color and leather on the nose with blackcurrant leaf with chewy tannins.

1987: Stewed cherries and hints of tar with broken rock and a bright finish.

1990: Pale ruby nose with dried bay leaf and wild strawberry aromas with lots of vitality and an overall sense of balance and harmony with a good amount of weight and high acidity.

1995: Freshly picked curry leaves with exotic passion fruit notes and zingy cranberry lift on the finish.

1998: A touch of lavender and dried mulberries with pressed flowers and fine tannins that gently glide on the palate.

2002: Herbs de Provence with black fruits and slight grip to the tannins with an intense focus and drive on the palate lifted by crisp acidity at the end.

2005: Darkest color so far with cassis on the palate highlighted with notes of licorice and asphalt with fine laced tannins.

2012: A stunning purity of fruit in this wine with strawberry, raspberry and cranberry that has a chalky minerality intertwined with an agile body that dances across the palate.

2019: Baking spices, blackberry scone and cocoa dust balanced by delicious umami notes with lush tannins and a juicy finish.

2021: Crumbled limestone and strawberry preserve on the nose with an enchanting violet note in the background with a hint of black pepper and lots of structure, yet it is fine in quality with well-managed tannins.

Château Le Puy ‘Barthélemy’ wines

2001: Bright and energetic right from the start, with lots of juicy fruit with marked acidity and a floral finish. 

2006: Lots of intense, concentrated red cherry and blackcurrant fruit with a stony minerality that has tremendous vitality and energy and a long, flavorful finish.

‘Barthélemy’ Retour des Îles

2016: This wine was aged in barrel on a sailboat and has a gorgeous nose of cocoa nibs, star anise and candied lilac flowers with supple tannins and an overall vivacity that is simply irresistible.

1A biodynamic vineyard is minimally dependent on outside materials and meets its requirements for overall health by the living biodiversity of what is on and surrounds the vineyard.

2Transpiration is the exhalation of water vapor through the stomata of the plant.

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Special Limited Edition Portuguese Wine Honoring A Leading Figure In The Douro Valley

View from the second floor balcony of the Symington family home on the Quinta dos Malvedos property

“Time for dinner,” is heard in the distance as a boy runs around with his dogs along steep rocky paths. The several layers of dirt that cover every inch of him indicate that it was a great day. “Time for dinner!” his mother yells a second time and the boy knows he shouldn’t press his luck so he dutifully runs back home. He sees his charming house coming up the road as he hurries down the path; it is a lovely place made of off-white stucco with ceramic roof tiles and an enchanting wrought iron balcony on the second floor where his mother stands to call for him. The boy dashes into the house before his mother can reach him and his grandparents at the dinner table immediately call for him to join them as he tracks dirt all over the house. His mother quickly enters the dining room and gives her son a quick wipe with a big, soft towel and, finally, everyone settles down for dinner as delicious smells emanate from the kitchen.

As night starts to descend around the home, the bright glowing lights from outside fade and the stories would begin. The boy’s grandfather and father talk about the family business, the current harvest, the concerns about costs and the plans for the future. The boy was transfixed on their discussions, never fully understanding what they were talking about but he knew he wanted to be part of the conversation one day. He would ask his grandfather to tell the stories he loved to hear about the past; no electricity, dangerous conditions along the river and the fight to preserve the way of life in their remote and desolate region. The grandfather was like a superhero to this young boy and the boy would wonder, one day, if he could become a heroic giant like his grandpa.

Once dinner was finished, the boy’s grandfather and father would go out onto the veranda, which during the day has a stunning view of the river and the ancient stone terraced vineyards on the side of surrounding mountains. It is an entirely different kind of beauty at night – the beauty of darkness and silence. Both his father and grandfather would quietly sit there, their bodies sinking in their chairs as they drank their Port1 wine and a sense of serenity would wash over the boy making him wish he could freeze time at that moment, as no other feeling felt as good.

Graham’s Quinta dos Malvedos 

Quinta dos Malvedos winery

All grandfathers seem like heroes to their grandchildren but, in this case, this grandfather, James Symington, played a pivotal role in his family’s legacy safeguarding Port production and the preservation of its ancient vineyards in the Douro Valley in Portugal. The home where James, his son Rupert and his grandson Hugh spent so much of their family time was on their Graham’s Quinta dos Malvedos property.

The Graham’s Port house is where it all began for the Symington family, the largest owners of vineyards in the historic, designated Douro Valley wine region. In 1882, Andrew James Symington, James’ grandfather, left the comfort of Scotland to take an adventurous ocean voyage to Porto in Northern Portugal, a port city where much of the Port production was brought to export to other countries. He worked for a Scottish family, with the surname Graham (the founding family of Graham’s over 60 years earlier) and then eventually Andrew started his own Port business. From the beginning, the Graham family’s goal was to make exceptional Port wine and that was the foundation on which Andrew James Symington built his Symington Family Estates. A couple of generations later, Andrew’s grandson, James, with his siblings, purchased Graham’s from the founding family and with it, the estate of Quinta dos Malvedos which is at the heart of Graham’s Vintage Ports.

The couple of parcles that make the Graham’s Stone Terraces on the Quinta dos Malvedos property

The outstanding quality of the Quinta dos Malvedos grapes make up the central core of Graham’s Vintage Ports when a vintage is declared and in years when a vintage is not declared, it makes a fantastic Single Quinta Vintage Port (SQVP), a single estate (a.k.a. quinta) from a single vintage. The SQVP category is one of the most exciting for Port wine collectors. Even more thrilling and rare is the bottling of Quinta dos Malvedos ‘The Stone Terraces,’ made only from two parcels of 18th-century schist stone-terraced vineyards on the Quinta dos Malvedos property, which has proven over time to produce a very distinctive sense of place.

Graham’s Six Grapes 

James Symington not only purchased Graham’s, where his grandfather started the legacy of the Symington Port family but he took another important property that used to source for Graham’s called Quinta da Vila Velha and he restored it to its former glory. James purchased the riverside property of Quinta da Vila Velha with his son Rupert back in the late 1980s and it became just as important of a place as Quinta dos Malvedos – where they would have their family dinners. And in honor of his father, Rupert is releasing a very special limited bottling of Graham’s ‘Six Grapes’ called Special Vila Velha Edition, sourced exclusively from a strict selection of Quinta da Vila Velha grapes.

Old ledgers at the Graham’s Port Lodge

The ‘Six Grapes’ label is an historic and iconic one rooted in the six grapes symbol used in the 1800s as a code for Graham’s winemakers to identify the barrels with the best wines, which were often bottled as Vintage Port. Starting in the early 1900s, Graham’s decided to bottle a Reserve Port selected from these barrels, and hence, why their ‘Six Grapes’ Reserve Port has always held a highly esteemed place within Graham’s portfolio, having higher status than even their LBV (Late Bottled Vintage) Port. 

Although ‘Six Grapes’ Reserve Port does not have the rarity or exclusive appeal that the SQVP or ‘The Stone Terraces’ may have, it does consistently have a beautiful expression of fruit with an overall vibrant and youthful quality that over-delivers for the modest price and it is widely available on the marketplace as it is an extremely popular brand. It is the ideal wine to introduce Port to a novice as it gives a good impression of the incredible aromatics, flavors and complexity that the Douro Valley can express, especially when it comes from top-selected barrels from Graham’s estates, yet there is tons of bright, juicy fruit making it irresistibly delicious. And so, it is perfect for new Port drinkers as well as more seasoned, ones who prefer to have a bottle of ‘Six Grapes’ as an everyday wine, which is easy, especially considering the bottle will last up to six weeks after being opened.

Because of the popularity of ‘Six Grapes,’ there has been a demand for special edition bottlings and so other special editions include Six Grapes: Special River Quintas Edition, which is made from two of Graham’s top estates and Six Grapes: Special Old Vines Edition which is sourced from old vines over 40 years old.

The Spirit of the Douro Valley

After a long stretch of grueling working hours that can go on for several months, there is nothing more precious to Rupert Symington than spending time in that serene silence on the veranda at his Quinta dos Malvedos family home. But nowadays, instead of him connecting in that silence with his father, James, he spends it with that little boy, now a man, his son Hugh, who has taken some of the heavy burden of helping with sales in the U.S. As they share a glass of Port, the Six Grapes Special Vila Velha Edition, they bask in the memories of Rupert’s father, Hugh’s grandfather, who passed away two years ago. As the moonlight shines slivers of light cutting through the dark cover of night, it hints at the glimpses of ancient terraces carved within steep slopes, enhanced by the sound of the flowing river. “This is what the Douro is all about,” Rupert says softly, as he and Hugh go back to silently drinking their Port honoring a heroic giant of the Douro Valley.

***Link to original article on Forbes: https://www.forbes.com/sites/cathrinetodd/2022/12/02/special-limited-edition-portuguese-wine-honoring-a-leading-figure-in-the-douro-valley/

Six Grapes Reserve, Six Grapes Reserve Special River Quintas Edition and Six Grapes Special Vila Velha Edition

A quick note about Port wine: it can be a misnomer to think of it as a sweet wine that should only be paired with dessert. Because Port has many layers of complexity, the higher the quality status, the more layers and so the sweetness takes a backseat to the multifaceted aromas, flavors and structure. Its residual sugars are natural sugars from the grapes so the sugar is also part of the expression of grape varieties, place and hundreds of years of tradition. It is very easy to forget that it is a sweet wine when tasted, as due to all the complex layers, it is great to pair with hearty meals and fantastic with spicy foods such as curry. But since the natural fruit sugars balance all the other layers, it is an entirely balanced wine that can be consumed on its own.

NV Graham’s Six Grapes Reserve Ruby Port: When one thinks about how many people love to drink wines with a sweet quality that are just marketing gimmicks, Six Grapes, which has beautiful sweet red fruit yet also violets, smoldering earth and dry herbs wrapped in great energy and overall freshness, becomes a more authentic choice than many of these other wines that hits one over the head with one-dimensional sweetness. Retailing around $25 and lasting around six weeks after opening, it is one of the best ways to satisfy that sweet fruit craving.

NV Graham’s Six Grapes Reserve Ruby Port, Special River Quintas Edition: The regular Six Grapes Reserve is already impressive, and always has been, but this Special River Quintas Edition takes it up several notches. Wow! The quality of the tannins is exquisite as they set up a firm framework on the entry to bring precision and focus to the generous fruit yet once it hits the mid-palate and the finish, the tannins melt into silky ribbons. Plush mid-palate with flavors of plum pie balanced by zesty orange peel, and again, those tannins – impressive! Only retailing between $40-$45 as it delivers at a much higher price point.

2020 Graham’s Vintage Port

NV Graham’s Six Grapes Reserve Ruby Port, Special Vila Velha Edition: The beautiful homage to James Symington by his son Rupert that features James’ beloved Vila Velha estate. Candied violets and rose petals with smoked black tea and crushed rocks with intense blackberry and cassis flavors with fine tannins; only 12,000 bottles produced.

2020 Graham’s Vintage Port: This Vintage Port celebrates the bicentennial anniversary of Graham’s. Lots of brambly berries with hints of tarragon and citrus blossoms that has a sculpted texture balanced by plenty of fleshy fruit on the palate that has a lifted and extended expressive finish.

Vertical of Quinta dos Malvedos:

2010, 2004, 1999 and 1987 Graham’s Quinta dos Malvedos

1987 Graham’s Quinta dos Malvedos Vintage Port: Lit cigar with dried red currants with bay leaf and high acidity that has an expressive finish with notes of star anise and fennel fronds.

1999 Graham’s Quinta dos Malvedos Vintage Port: Lifted, bright aromas of eucalyptus and pine that is nimble as it dances on the palate with juicy cassis and vibrant red cherry flavors with fresh tobacco leaves in the background.

2004 Graham’s Quinta dos Malvedos Vintage Port: This wine immediately jumped out of the glass with an aromatic nose of dark fruit, cocoa dust and broken slate and if one thinks it can’t get any better than the nose, then wait, the palate is incredible with supple fruit texture, richly decadent body and an extremely long and flavorful finish.

2010 Graham’s Quinta dos Malvedos Vintage Port: This wine is extremely harmonious already at this relatively young age for a Vintage Port. Fresh mint on the nose with layers of stony minerality and kirsch on the juicy palate intermixed with bitter dark chocolate and spices with a lovely freshness on the finish.

1Port is a fortified wine with a neutral spirit added during fermentation, leaving some of the natural sugars from the grapes in the final product.

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The California Wine Revolution, Natural Practices For Fine Wine, Celebrates 60th Anniversary

While the California wine industry was moving towards a more technical approach, a group of men who desperately wanted to connect with nature decided to throw themselves into making wine in California during the early 1960s. They had heard about a legendary vineyard on the Monte Bello Ridge high up in the Santa Cruz Mountains, part of the Central Coast of California, an area planted with vines since the 1870s that piqued their interest. The Monte Bello cool climate Cabernet Sauvignon vineyards, planted on terraced slopes with limestone soil, with temperatures moderated by the Pacific Ocean and high altitudes up to 2,700 feet, seemed as if it would produce elegant wines but they needed to be sure.

Old vines at one of Ridge’s vineyards
Photo Credit: Ridge Vineyards

The men purchased a small plot within the Monte Bello estate with which they would make a quarter-barrel of wine during the 1960 and 1961 vintages and it was one of the best wines they had ever had; so, the men re-bonded the winery on their property as Ridge Vineyards in 1962. But they didn’t want to get in the way of this fantastic vineyard, and hence, they pushed back against the wine technical driving force surrounding them at the time. They were going to start a wine revolution by proving that less is more when expressing terroir. Ironically, all of these men were Stanford Research Institute engineers.

Ridge Vineyards 

The founding engineers (Dave Bennion, Hew Crane, Charlie Rosen and Howard Ziedlerfirst) were able to slowly buy back various plots of the original Monte Bello estate, adding a field blend vineyard down the road dominated by Zinfandel grape vines, planted in the late 1800s, to their portfolio. They made their first Zinfandel in 1966 after their first official Monte Bello Cabernet Sauvignon in 1962.

After increasing their production to fewer than 3,000 cases a year, far from where they needed to be to make a profit, they found a winemaker, a Stanford graduate in philosophy, Paul Draper, to join their partnership. Paul is a living legend, who, from the very start, shared the low intervention, more natural approach aligned with the founding engineers’ mission. He restored the old limestone winery built into the mountainside that the first vineyard owner constructed in the 1890s and he felt that their resources needed to be put into leasing and buying top vineyard sites that would help them establish a global reputation for outstanding wines. Unlike many people with lofty goals, he was able to achieve such a feat. But making wine, in California of all places in the ’60s and ’70s, that would compete in the fine wine world yet made with natural practices, wasn’t the only revolution he started.

Ingredient Labeling 

David Gates, Paul Draper and John Olney
Photo Credit: Ridge Vineyards

“After making my first four vintages of Monte Bello (’69, ’70, ’71, ’72) and tasting again the superb ’62 and ’64 made by the founding partners, I thought we should do something to show how few ingredients are needed to make truly fine wine,” noted Paul Draper. When Paul reached out to the federal authority that approved wine labels all those decades ago, he was told “no”; because it was not required, no one else did it and it would be confusing to customers. With federal approval in 2008, a neighboring winery in Santa Cruz Mountains had a list of ingredients on many of its wine labels, so Paul was determined that Ridge Vineyards would do the same. With Ridge’s 2011 vintage, they began to list ingredients on their labels as well as explain each ingredient on their website. Paul further explained his intentions, “As more of our estate vineyards were certified organic and we could put “organically grown” on the label, we began to ask ourselves, does “organic” mean anything at all for your health if chemical additives were used once the grapes reached the winery?” 

Ridge Vineyards is also atypical for a medium-sized winery as they have had their own lab since 1971, as most wineries back then had their analysis done by outside wine laboratories. Today’s head winemaker and COO of Ridge, John Olney, talked about how over the past several decades, Ridge has built a sophisticated laboratory that helps to complement their hands-off approach in their winery as it allows for natural fermentation, lower levels of sulfites and the minimum amount of invention during the winemaking practices by making sure that the wine is always in a stable state during each stage. 

One of Ridge’s vineyards covered in snow
Photo Credit: Ridge Vineyards

Of course, this does not mean that those who are not using ingredient labeling should be accused of using undesirable additives as, for some, it is a cost that they cannot take on, or many producers find it could create fear and confusion of listing natural additives in tiny quantities that are misunderstood by the public; such as small amounts of sulfur in wine that is much lower than many of the food products that people eat daily. Yet one thing is for sure, Ridge gives a pure expression of their vineyards that deserve nothing less as the fruit is stunning.

Motive: Marketing or Philosophy 

Today, it has become trendy for relatively new, big-brand wines to list their ingredients, giving the impression that they are made of purer ingredients that are better for the consumer than most other wines on the market. This is a very dangerous marketing campaign because it maligns other wine producers who have decided to focus on their vineyards, history and philosophy instead of an ingredient list and just simply saying that there are grapes in the wine and not much else doesn’t tell a consumer the whole story of what is in that bottle.

But Ridge Vineyards, started by engineers and a philosophy major, wasn’t exactly being run by marketing experts – far from it! There is no doubt about Monte Bello having an illustrious history and sense of place that some have called America’s First Growth and Ridge is rooted in a solid commitment to avoid anything that gets in the way of wine drinkers being able to experience the true glory of their vineyards.

Paul made a valid point that putting “organic” on a wine label seemed pointless if one didn’t know the ingredients in the bottle. But what is remarkable is that many fine wine connoisseurs worldwide love the Ridge Vineyards wines and their hearts skip a beat when Monte Bello comes to the table – and some have no idea of their commitment to low-intervention winemaking and ingredient labeling. His philosophy in showing the world what is in the bottle, unadulterated, is to stand behind the greatness of his vineyards. And 60 years after the first official vintage of Ridge Vineyards, it is finally getting wider recognition for being one of the first to push for complete transparency in the wine world.  

***Link to original article on Forbes: https://www.forbes.com/sites/cathrinetodd/2022/11/30/the-california-wine-revolution-natural-practices-for-fine-wine-celebrates-60th-anniversary/

60th Anniversary Ridge Vineyards tasting in NYC
Photo Credit: Cathrine Todd

60th Anniversary Ridge Vineyards Tasting:

David Gates, senior vice president of vineyard operations, said that they only make a small quantity of Monte Bello Chardonnay in certain vintages. When it comes to the difference between the Estate Chardonnay and the Monte Bello Chardonnay, the Monte Bello is a parcel and barrel selection of the best Estate Chardonnay.

2012 Ridge Vineyards, Monte Bello Chardonnay: Ripe golden apples and honeysuckle with a smoky minerality with hints of nutmeg with good concentration balanced by a nimble energy.

2006 Ridge Vineyards, Monte Bello Chardonnay: Lots of chalky minerality right off the bat with lemon custard and graham cracker flavors that had a creamy yet textured body with bright acidity and lots of energy on the finish.

“The founders were looking for only Cabernet Sauvignon vineyards in California in the 1960s, and instead, they found all these field blends, including Lytton Springs and Geyserville,” said John Olney, head winemaker and COO. The first Ridge Zinfandel blend was Geyserville in 1966, with a section of the vineyard containing vines more than 130 years old; the vineyard is composed of Zinfandel, Carignane, Petite Sirah and Mataro (Mourvèdre). And another iconic Zinfandel of Ridge is Lytton Springs which had its first vintage in 1972. Lytton Springs has Zinfandel vines that are over a century old and interplanted with Petite Sirah, Carignane, Grenache and small amount of Mataro (Mourvèdre). And despite the vineyards only being two miles apart, the Geyserville “has a little firmer acidity, more red fruit, rounder, more forward” than the Lytton Springs, according to John Olney.

2005 Ridge Vineyards, Geyserville from 3-Liter bottle: An open and generous nose with lush red cherries and baking spices intermixed with star anise and a gracefully broad body with fleshy fruit that has lots of energy on the finish.

1999 Ridge Vineyards, Geyserville from 3-Liter: Broken earth with subtle hints of raspberries and rhubarb with white pepper and poppy seeds and silky tannins and refreshing acidity.

2005 Ridge Vineyards, Lytton Springs from 3-Liter: Blackcurrant fruit with notes of licorice and dried herbs with structured tannins that give lift to the concentrated fruit.

1999 Ridge Vineyards, Lytton Springs from 3-Liter: This shows how Ridge’s Zinfandel blends can age beautifully with plenty of supple black cherry fruit with added layers of black pepper and crushed rock that has tannins with big shoulders balanced by plush black fruit on the mid-palate; a harmonious wine.

David Gates, senior vice president of vineyard operations, decanting the wines
Photo Credit: Cathrine Todd

Monte Bello was initially 100% Cabernet Sauvignon until 1975, but through time Merlot, Cabernet Franc and Petit Verdot were planted as it was difficult to fully ripen the Cabernet Sauvignon decades ago in the cool climate of Santa Cruz Mountains, just like in Bordeaux, and so other Bordeaux varieties were added to bring balance. The 1964, listed as the last wine, was only 11.5% alcohol.

2013 Ridge Vineyards, Monte Bello: 80% Cabernet Sauvignon, 8% Petit Verdot, 7% Cabernet Franc and 5% Merlot. Ridge Vineyards usually re-releases their Monte Bello wines again onto the market after ten years, and so this 2013 is currently available on the market. This is a stunning wine, from the multi-faceted aromas and flavors of cassis, espresso, truffles and a stony minerality with plush texture that has firm tannins with racy acidity giving vitality to the intensely concentrated fruit along the extraordinarily long finish. Wow!

2005 Ridge Vineyards, Monte Bello from Magnum: 70% Cabernet Sauvignon, 22% Merlot, 6% Petit Verdot and 2% Cabernet Franc. Redcurrant preserves with cocoa powder and upheaved earth with hints of fresh sage and slightly firm tannins that has lots of juicy fruit on the palate.

1996 Ridge Vineyards, Monte Bello from Magnum: 80% Cabernet Sauvignon, 11% Merlot and 9% Petit Verdot. A lovely aromatic nose that is still so vibrant with boysenberry and black raspberry with allspice in the background that has intense flavors on the palate with lots of focused energy.

1988 Ridge Vineyards, Monte Bello from Magnum: John Olney said that this wine does have a bit of Brettanomyces (Brett) as it was a learning process of how to work naturally without unwanted yeasts converting into sometimes off-putting aromas during fermentation. But Brett can range in qualities from barnyard to gamey notes and this wine has a hint of grilled pork ribs, which is an aroma loved by some people and so the Brett may not be an issue for some, adding layers of smoldering earth, brambly fruit and tree bark with a textured body.

1977 Ridge Vineyards, Monte Bello from Magnum: Smoky note that is reminiscent of lit charcoal, wild berries and graphite with blueberry scones and bacon fat with a linear body with fierce energy and lift on the finish.

1964 Ridge Vineyards, Monte Bello: 100% Cabernet Sauvignon. Fresh tobacco leaf and hints of tar with layers of sandalwood, cigar box and forest floor in the background that has well-integrated tannins and marked acidity, giving a mouthwatering finish.

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Blind Tasting Wine With The Most Famous Wine Consultant In The World

As the breathtaking Andes Mountains were framed in the big bay window, a seemingly endless line of Argentinian wines shone in the sunlight as a small group of top professional winemakers from Argentina tasted the bottles before their honored guest arrived. The numerous wine stains on the white table cloths indicated that the professionals were hard at work as there was a nervous energy in the air creating a manic tempo, like a fast swing dance, with many ups and downs, backs and forths, and the tempo never slowed, except for one abrupt moment. The room temporarily froze as everyone looked towards the door, where an elegantly dressed man with a warm, boisterous laugh entered the room.

Mountains behind Clos de los Siete
Photo Credit: Clos de los Siete

Michel Rolland, the most famous wine consultant in the world, originated from Bordeaux, France, and his reverence within the wine industry is without compare. On that day in Argentina, back in 1988, he was given a lineup of some of the most well-known wine producers in Argentina, to get to know the wines better, as he was called by one of the top producers, Arnaldo Etchart, to help out with his project in Argentina.

“Arnaldo was a very nice man who had a winery with a great reputation in Salta, Argentina, and he asked me to come to help. I was curious about Argentina, I had never been there before, and I knew nothing about the wines,” noted Michel during an intimate blind tasting in a restaurant called Sweetbriar, tucked away in Manhattan, New York City. The blind tasting consisted of a vertical of his Argentina wine project, Clos de los Siete. That first tasting of Argentina wines back in the 1980s initially inspired this project as his curiosity was piqued. It has been quite a journey for Michel and Argentina because when he first came to the country, the wines were nothing like what they are today. “The Cabernet Sauvignon wines were awful,” Michel said bluntly, but he could tell that there was potential in the Malbec wines. Through time, Argentina Malbecs not only took the world by storm, but the Cabernets have also reached high-quality status.

Michel Rolland 

Michel Rolland
Photo Credit: Clos de los Siete

Michel was born on the Right Bank of Bordeaux in the small village of Pomerol in the late 1940s and at the time the Left Bank had all of the wine glory; the winemakers in Pomerol had no fancy classification that would automatically give them a formal hierarchy. The Rolland family was one such wine producer with their small plot of vineyards surrounding their Château Le Bon Pasteur winery and their son, Michel, would not only go on to raise the quality of wines in Pomerol but also in the rest of Bordeaux. He would eventually become the most famous wine consultant in the world with his remarkable tasting skills and blending talent.

At university, Michel met his future wife, Dany, who is also an enologist, and they opened their lab in the early 1970s where they started their consulting business, which still thrives today with their daughter joining them. His reputation became so renowned in the wine world that other places around the globe would chase after him to consult on their wine projects and so he was one of the first to go out to Napa Valley and beyond. 

As with any tremendous fame, there are critics as two of the greatest sins of the wine business are to be successful and to become internationally recognized. The wine world is one where many know going in that it will be a thankless job and the pay will only be just enough to get by, and for some, balancing more than one job may be necessary. And so, one has to be so passionate and hopelessly in love with what one does that it will sustain the person through many tough times. So some see Michel as an inspiration – one of the few who can do what he is most passionate about in the wine world while also being successful while others can’t help but feel envious and pick apart everything he says and does. 

Michel Rolland
Photo Credit: Clos de los Siete

But for those who have gotten the opportunity to taste a wide range of wines on which Michel Rolland has consulted, it is evident that there is no one style he is forcing across the board as each estate has its own sense of place and its own sense of balance; there is also the influence of the winemaker, which Michel greatly respects. And despite many winemakers learning a great deal from Michel and watching him practice his passion for blending, it was different at the beginning of Michel’s consultant career, as the winemakers initially thought Michel would take over their jobs. “I would never want the job of a winemaker as I have the greatest job in the world,” Michel said with a boisterous laugh.

Michel has consulted on some of the most fantastic wines in the fine wine world, but his love and talent for blending shines the most through his Clos de los Siete project in the Uco Valley in Argentina. In 1998, he convinced some adventurous Bordeaux producers to come to Argentina and build a winery where Michel would also build his own. They would each make their own wines but then each winery would present a part of their production to use in Michel’s blend that would include all the wineries to make Clos de los Siete. It was considered crazy at the time and although, in some ways, Michel does admit it was a gamble as he chose a place where there was no vineyard yet, in other ways, he used his knowledge and experience to pick an excellent site. The slope and soil were critical factors in selecting the site and today it has paid off since Michel noted that in 20 years, there has only been one hail storm and there has never been any frost – two issues that plague many vineyard areas in Argentina as well as all over the world.

Clos de los Siete vineyards
Photo Credit: Clos de los Siete

It is a fascinating project as each of the winemakers at Bodega y Viñedos Monteviejo, Cuvelier Los Andes, Bodega DiamAndes and Bodega Rolland will highlight a different aspect of the terroir. So, it is the blending that combines the various expressions of the sense of place of the same land in the high-elevated Vista Flores district in the Uco Valley of Argentina. And every year, Michel says he can always count on one of the winemakers saying that he has made the best wine for that vintage. Still, the final blend of all the winemakers is always the best, as nothing can compare to the complete personality of the terroir presented in Clos de los Siete. 

Clos de los Siete

As the small group sat in that NYC restaurant, blind tasting the different vintages of Clos de los Siete, everyone realized that the wines were ideal expressions of Michel’s love for blending wines. His charm and overall joyful energy were on full display that day, although when it comes to blending or assessing a wine, he becomes brutally honest, even with himself. He had no issues revealing that he initially thought the Clos de los Siete would only be approachable, easy-drinking wines and never thought for a moment in its inception that they could age so beautifully. He was happy with how all the wines in the blind tasting had evolved except for the 2015, as it was too thin for him. It was a vintage described on its tech sheet as a “Bordeaux” year and Michel noted his disagreement with such a descriptor as Bordeaux has come a long way and he is one of the reasons for its ascent into high quality winemaking.  

Sunset at Clos de los Siete vineyards
Photo Credit: Clos de los Siete

It is remarkable to think of Michel as that young boy in the quaint, tiny village of Pomerol walking his family vineyards all those years ago. Yes, everything he witnessed would be a part of his life as he knew he would do something involving wine. But how could anyone ever imagine, especially back then, that he would be able to find his purpose in life relatively young and, in the process, completely change the wine world? In every man and woman’s life, there is a point when he fiercely searches for where his talent lies and the purpose of his time on earth. For many, that mission is only partially satisfied and most people never get the chance to discover their gift.

But once in a long while, against all odds, someone is placed on a path where his extraordinary gift is evident and he can succeed in ways that are unimaginable, capturing lightning in a bottle, and that someone is Michel Rolland.

***Link to original Forbes article: https://www.forbes.com/sites/cathrinetodd/2022/11/23/blind-tasting-wine-with-the-most-famous-wine-consultant-in-the-world/

Blind tasting of Clos de los Siete vertical
Photo Credit: Cathrine Todd

Clos de los Siete wines tasted in a blind tasting:

2019 Clos de los Siete Photo Credit:
Cathrine Todd

2019 Clos de los Siete, Vista Flores, Valle de Uco, Argentina: 50% Malbec, 24% Merlot, 11% Syrah, 7% Cabernet Sauvignon, 5% Cabernet Franc and 3% Petit Verdot. 2019 was noted as a “great vintage,” and the wine illustrated great fruit. Pristine blackberry and black cherry aromas with hints of cocoa powder, broken rocks and baking spice with silky tannins along the juicy and flavorful finish; an overall elegant quality to this wine.

2018 Clos de los Siete, Vista Flores, Valle de Uco, Argentina: 55% Malbec, 19% Merlot, 12% Syrah, 10% Cabernet Sauvignon, 2% Cabernet Franc and 2% Petit Verdot. This vintage was noted as being the “best vintage in 30 years”. An intoxicating nose singing with floral notes, ripe blueberry and blackberry fruit, and an intense minerality with intense concentration balanced by bright acidity and seamlessly integrated tannins with a very long and expressive nose – stunning.

2017 Clos de los Siete, Vista Flores, Valle de Uco, Argentina: 52% Malbec, 21% Merlot, 15% Syrah, 7% Cabernet Sauvignon, 3% Petit Verdot and 2% Cabernet Franc. Frost in the spring made this a low-yielding vintage. Lush fruit such as blackcurrant preserves and blueberry pie that has a slight grip to the tannins, which gives some much-needed structure to the plush fruit on the palate.

2015 Clos de los Siete, Vista Flores, Valle de Uco, Argentina: 58% Malbec, 23% Merlot, 10% Cabernet Sauvignon, 8% Syrah and 1% Petit Verdot. This was called the “Bordeaux” vintage, which produced lighter wines since it was so rainy. Dusty earth, dried herbs and subtle black and blue fruit flavors that is thin on the palate with a nice freshness on the finish.

2010 Clos de los Siete, Vista Flores, Valle de Uco, Argentina: 53% Malbec, 18% Cabernet Sauvignon, 17% Merlot, 11% Syrah and 1% Petit Verdot. 2010 was a warm, dry vintage that had an excellent fruit concentration with more evolved notes of espresso and fresh tobacco with a rich flavor of mulberry cobbler with round tannins.

2009 Clos de los Siete, Vista Flores, Valle de Uco, Argentina: 57% Malbec, 15% Merlot, 15% Cabernet Sauvignon, 10% Syrah and 3% Petit Verdot; considered a very good vintage on the cooler side. Hints of violet petals with wild mushrooms and blackberry jam on toast create an intriguing nose with plenty of juicy fruit on the palate and very fine tannins; a harmonious wine with lots of nuances.

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A Family Wine Estate Lost While Dealing With Father’s Alzheimer’s

The surreal California coastline seems like a dream to a young man from Burgundy, France, who was swept away by the place, the wines and the people who have a casual, warm temperament balanced by a fast-paced creative energy. He became completely inspired by the idea that anything is possible in this stunning paradise while meeting people from all over the world who have moved to “The Golden State” to live their dreams. The 24-year-old young man was to stay two to three years in California just after having graduated from the University of Dijon to gain international experience so he could return to his family’s wine estate, Edouard Delaunay, to work with his father, hopefully bringing valuable contributions back from his time spent in the U.S.

“You should come back! Your father is tired and he needs help!” said the young man’s mother on the phone one day after he had barely spent a year in California. And so, he didn’t question it but jumped on a plane back home where he would help his father. But something wasn’t right as the young man’s father did not seem like the same man that he was before he left. And his father’s ability to perform everyday tasks seemed to get more difficult for him as time went on; within a few months, his father was diagnosed with Alzheimer’s. While mourning the loss of the father he knew, this young man needed to take over quickly during an unfortunate economic time in 1991. It was during the first Gulf War and inflation was high with a significant increase in the cost of living. Moreover, Burgundy’s property taxes had already become exorbitant and this young man needed to make sure his parents had enough money to live out the rest of their retirement.

Edouard Delaunay’s winery and cellars,
Château de Charmont
Photo Credit: Edouard Delaunay

So the young man reached out to one of his father’s longtime friends, Jean-Claude Boisset, who had already bought many vineyards and wineries in Burgundy to purchase Edouard Delaunay. That way, the young man’s parents would have a nice nest egg, even if it left him with nothing. So he decided to move down to the South of France with his future wife, a winemaker from the Rhône Valley (just south of Burgundy). She had heard that the Languedoc wine region in the South was the best place for young people with zero resources to start a winemaking business. 

No Money But a Strong Work Ethic 

That young man was Laurent Delaunay and his family’s estate, Edouard Delaunay, was named after the founder and his great-grandfather; in an ideal world, he would have been the fifth generation taking over. But life had other plans, so Laurent, with the help of his wife Catherine, went down to the Languedoc to figure out how they could make wine with “no winery, no vineyards, no money, no anything.”

“We were able to convince some local people to allow us to make our own wines in their wineries,” said Laurent. And with lots of hard work, they made wine while quickly developing new markets around the world, especially in the U.S., from 1995 to 2003. Then, one day, he received a call from an old friend back home as his friend’s father wanted to retire – he was an owner of a small company in Burgundy that distributed and marketed the wines of small Burgundy producers. It was an excellent opportunity to find a way back to Burgundy. Even though he and his wife had successful businesses in the South and they had very little time to dwell on the past, Laurent wanted to renew that connection with what he lost. They were back living in Burgundy and grew their business to represent 180 Burgundy producers, becoming the largest distributor of small, independent domaines1. But as Laurent got older, frustration started to build as he wasn’t making his own wines in Burgundy. He had a few opportunities to buy some vineyards and then a négociant2 house but none of those deals worked out and it didn’t seem right in his gut.

Edouard Delaunay old vintages
Photo Credit:
Edouard Delaunay

Then, one day, as fate would have it, Laurent saw Jean-Claude Boisset at a restaurant in the Burgundy village of Nuits-Saint-Georges and after Jean-Claude’s guests left, Laurent took that serendipitous moment to invite Jean-Claude to join him for coffee. At one point in their conversation, Laurent mentioned his old family’s estate that he sold to Jean-Claude and that he was seeing it on the market less and less, which Jean-Claude admitted that they had bought a lot of wineries lately and they hadn’t given the Edouard Delaunay name the attention that it needed. Laurent asked if he could buy his family’s estate name and winery back and Jean-Claude agreed as he always respected what Laurent did for his parents. But Jean-Claude would not sell back the vineyards, which probably would have been impossible for Laurent to buy anyways as some of their vineyards were in the very expensive village of Chambolle-Musigny.

Edouard Delaunay

When Laurent walked back into his family winery, he was struck by the intense emotions he felt that were buried deep within him. Seeing all the areas where he would play as a child and the smells that were unique to his family’s cellars brought back a flood of memories that mainly conjured all those times he spent with his father teaching him various winemaking techniques as an adolescent, an adolescent who dreamt of the day he would work side by side with his father as a man, which sadly never came to pass. At that moment, he swore he would bring Edouard Delaunay back to its glory by reestablishing the name among the top Burgundy wines of the world. So first, he completely renovated the winery with state-of-the-art equipment to accommodate small-volume, high-quality wine. Next, he hired his winemaker, Christophe Briotet, the chief winemaker and cellar master at the School of Viticulture in Beaune. Laurent’s father had always respected those chosen to be the chief winemaker at the School of Viticulture in Beaune as he felt they picked the people who had the best sense of how to express the terroir of the various vineyards in Burgundy.

Old bottle of Edouard Delaunay in the cellar
Photo Credit: Edouard Delaunay

The last thing he needed was to find grapes to buy, so Laurent reached out to everyone in his network to give him the contact information for the growers he most wanted to work with in Burgundy. And even though being from Burgundy himself, he knew that growers have long relationships with well-known winemakers and négociants2, and they would never jeopardize those relationships by working with a new producer in town who wanted to give a go at making Burgundy wine. But never say never, especially when it comes to certain circumstances, as all the producers were thrilled that he was resurrecting his family’s estate and they were more than happy to sell him grapes; some would even set aside the equivalent of a couple of barrels of their grapes from their top Grand Cru vineyards just for him because as they saw it, it was his “birthright.”

His first vintage was 2017 and they produced wines from 20 different appellations3 from the heart of Burgundy in the Côte de Nuits and Côte de Beaune. Laurent slowly increased their offerings over the years and today they make wines from around 30 different appellations. He has also taken on the task of expanding into the vineyards of the Hautes-Côtes de Nuits, where his winery is located, only three miles outside of the well-known red wine village of Nuits-Saint-Georges. He makes the case that the Côte de Nuits and Côte de Beaune, which makes up the most valuable Burgundy vineyard land known as the Golden Slope a.k.a. Côte-d’Or, were designated with incredible skill and accuracy by the monks many centuries ago yet no one has formally designated the vineyards of the Hautes-Côtes de Nuits. The Hautes-Côtes de Nuits has Jurassic limestone soil and the vineyards range in altitude between 980 to 1,300 feet; such altitude could be more ideal today with consistently warmer temperatures due to climate change.  

Within a short time, Laurent’s winemaker, Christophe Briotet, has won awards from the International Wine Challenge (IWC), first winning Red Winemaker of the Year in 2020 and then White Winemaker of the Year in 2021. And last year, Laurent was asked to become the president of the Bourgogne Wine Board (BIVB), a non-for-profit organization of wine growers/winemakers and négociants that handle the present and future challenges of the Burgundy wine region. As someone who had already been through a multi-generational wine family’s worst nightmare of having to sell, as well as being a great businessman and marketer by building a successful business with global distribution out of nothing, there is no one better suited for the job. And so Laurent goes around the world talking to various wine enthusiast groups to inform and inspire them about the current state of Burgundy and where the wine region wants to go in the future. One of the things he would like to implement is to inform English-speaking countries like the U.S. that the name of Burgundy in French is Bourgogne (pronounced bor·gaan·yuh) as they are the only wine region in France where the name is changed in English.

Stronger Foundation Avoids Desperation

Laurent Delaunay holding a bottle of 1990 Edouard Delaunay, the last vintage his father made
Photo Credit:
Edouard Delaunay

Laurent had everything anyone wanted: successful businesses, fulfilling work and a great partner in life with his talented wife Catherine, however, there was still something missing as one should never live in regret, especially when life forces one’s hand. He did the right thing when it came to taking care of his parents but it was undoubtedly a very unfair position for someone who wasn’t even 25 years old to have to navigate. Overwhelmed with a bad economy, escalating inflation and excessive property taxes, he needed more than ever to talk to his father and lean on him for advice and comfort. But his father needed him and the clock was ticking so he did what he had to do, only thinking of his parents.

And so, although it doesn’t make business sense to try to reinvigorate and reestablish a neglected family estate in a highly competitive Burgundy fine wine market, when one hears Laurent’s story, it makes complete sense, as a part of him was taken the day he sold. 

Laurent is grateful for every grape that enters his winery from all the wine grape growers who are willing to sell him his “birthright” as no one knows more than he does what it is like to have great vineyards, that are part of one’s legacy, to be swiftly lost by the cruelty of the randomness of life. 

He has never felt closer to his father, as all the precious time he spends in the winery and cellars is filled with memories that are as vivid as if they happened yesterday. The transition of one generation to the other did not happen the way Laurent’s father wanted it to happen but Laurent has more than made up for that over the past five years. And as unfortunate as the initial selling of his family’s estate may seem, it gave him the drive to go down to the South of France to build a booming wine business gaining marketing savvy and global distribution know-how. And he is now part of helping other small, independent Burgundy wine producers build a strong business foundation for their multi-generational estates, so what happened to him decades ago never has to happen to another family again. 

***Link to original Forbes article: https://www.forbes.com/sites/cathrinetodd/2022/11/27/a-family-wine-estate-lost-while-dealing-with-fathers-alzheimers/

2018 Edouard Delaunay, Nuits-Saint-Georges 1er Cru “Aux Murgers”
Photo Credit: Cathrine Todd

The French word Bourgogne is used below instead of the English word Burgundy:

2018 Edouard Delaunay, Chassagne-Montrachet 1er Cru “Les Baudines”, Côte de Beaune, Bourgogne: 100% Chardonnay. Lovely Anjou pear, crumbled hazelnuts and a touch of warm spice on the nose with juicy nectarine fruit on the palate intermixed with dried lemon verbena and good mid-palate weight with a long, expressive finish.  

2020 Gruhier & Delaunay – Associated Cousins, Chablis Grand Cru “Les Preuses”, Chablis, Bourgogne: 100% Chardonnay. Intense chalky nose with a fierce stony minerality highlighted with lemon blossom that becomes mouthwatering on the palate with flavors of lemon zest and white peach that has lots of energy on the mineral-laced finish.

2020 Edouard Delaunay, Hautes-Côtes de Nuits “Les Rouards”, Bourgogne: 100% Pinot Noir. This non-designated vineyard called Les Rouards is near the Vosne-Romanée border and so it has similar beautiful floral notes with a silky texture that has plenty of backbone – interesting to see how this will age in time. Ripe black cherries, cinnamon stick and broken earth dominate the flavor profile at this time but there seems to be so much more underneath waiting to evolve with time.

2019 Edouard Delaunay, Nuits-Saint-Georges Village, Côte de Nuits, Bourgogne: 100% Pinot Noir. This Nuits-Saint-Georges village wine is a blend of three vineyards that come from older vines. One is north-facing and so the fruit is more aromatic with high acidity and the other two plots are south-facing and so they bring the richness and body to balance out the other plot. Crushed rocks, fresh tarragon and a touch of cumin seeds with concentrated and zingy flavors of raspberry coulis on the palate that has fine tannins and a linear drive to the finish.

2018 Edouard Delaunay, Nuits-Saint-Georges 1er Cru “Aux Murgers”, Côte de Nuits, Bourgogne: 100% Pinot Noir. Wet stones and dried cranberries on the nose with an intoxicating smoldering incense aroma in the background that has dark, brooding fruit and finely etched tannins with a long, flavorful finish.

2019 Edouard Delaunay, Nuits-Saint-Georges 1er Cru “Les Crots”, Côte de Nuits, Bourgogne: 100% Pinot Noir. Lifted aromatic nose with lilacs and cherry blossom grounded in an underlying compelling undergrowth aroma with extremely silky tannins that caress the palate with fleshy red cherry and a stunning delicacy on the finish with pristine fruit and minerality.

2019 Hospices de Nuits, Nuits-Saint-Georges 1er Cru “Les Porrets St. Georges”, Côte de Nuits, Bourgogne: 100% Pinot Noir. A very pretty wine with lots of violets and blueberry fruit that has plum pie flavors on the palate intermixed with ripe red cherry fruit that has an overall elegance balanced by fruit generosity. Laurent talked about how the Hospices de Beaune is very well-known but the Hospices de Nuits needs to be rediscovered. It is much smaller than the Hospices de Beaune auction and it is focused on the 1er Crus of Nuits-Saint-Georges. The Hospices de Nuits, which owns 30 acres, is the largest land owner of 1er Crus of Nuits-Saint-Georges, according to Laurent. The auction happens on the 3rd Sunday of March and so it is later than the Hospices de Beaune, and hence, the wines are already tasting better and MLF has almost finished. The auction takes place at Château du Clos de Vougeot and it has recently been opened to the public.

2019 Edouard Delaunay, Charmes-Chambertin Grand Cru, Côte de Nuits, Bourgogne: 100% Pinot Noir. This wine’s aroma was wafting from the glass the moment it was poured, begging the Burgundy lover to try an extraordinary wine that was multi-layered with black truffles, forest floor, pressed rose petals and jasmine flower; supple fruit on the exquisitely textured body with velvety tannins and sexy concentrated red fruit that is at the same time charming with its nuanced delivery of the fruit with an outstandingly long finish. Stellar wine!

1Domaines are parcels of land under the control of the winemaker/owner in Burgundy.

2Standard wine négociants buy wine and handle the packaging, marketing and sales. Also, there are some négociants that will buy grapes or unfermented wine juice and do the winemaking themselves, or they buy fermented wine and make tiny improvements to the wine as well as age it.

3An appellation is a designated wine area many times to indicate quality status with it specifically used in Burgundy under categories such as villages (communes), 1er Cru (Premier Cru) vineyards and Grand Cru vineyards.

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Exciting Release Of An Extra Brut Vintage Champagne Wine That Is 40 Years Old

As the group descended the seemingly endless flights of stairs, the temperature significantly dropped with many throwing on a jacket they had brought. At the bottom of this downward journey, deep below the ground, was dim lighting sporadically placed at the top of the tunnels carved within the solid chalk soil. It was so quiet that one of the men in the group could hear his heartbeat as he walked down these passages. A tremendous amount of excitement started to build within him because this was his initiation into becoming an essential part of a great Champagne house with a longtime chief winemaker who is a living legend within the Champagne world. 

Suddenly, there it was, the purpose for such a journey finally presented itself after various smaller caves were passed until they arrived at the place where an extremely important induction would take place; the new chief winemaker for Piper-Heidsieck, Emilien Boutillat, was about to taste his first old vintage of Piper with the previous chief winemaker Régis Camus. In a section of the small cave in which Régis and Emilien entered was written “1982” on a sign with a stack of bottles behind it that seemed to have decades of dust on them. 

There Régis would choose one of the Extra Brut Vintage 1982 bottles that would be tasted with a twin 1982 bottle, a twin that was alike in almost every way except for one stage of its life, and that one change would end up placing the twins on different journeys.

1982 Vintage Hors-Série Edition 

Piper-Heidsieck Hors-Série 1982
Photo Credit: Piper-Heidsieck Champagne

Last year, the new chief winemaker at Piper-Heidsieck, Emilien Boutillat, released the first edition of his own personal Piper project called Hors-Série – a name used by French magazines to indicate a “special edition.” The Hors-Série project allows Emilien to be completely free in expressing his creativity, whether it is releasing an older vintage that displays an exciting aspect of Piper’s past or illustrates something new such as a winemaking technique or how they are combating climate change. The second edition of Hors-Série, just recently released, shows how Piper-Heidsieck was ahead of the trend, several decades ago, by making Extra Brut Champagne which is drier than Brut Champagne.1 

This Piper-Heidsieck Extra Brut was called ‘Brut Sauvage’ as it displayed the “wild” side of Piper; it was an extremely unorthodox choice in the 1980s as Extra Brut wasn’t a trend and barely known at the time and the fierce acidity that many times were present in these wines was too much for the consumers back then. Of course, the ‘Brut Sauvage’ of the 80s should not be confused with the Piper-Heidsieck Rosé Sauvage of today as that is a Brut Champagne Rosé and today Piper has an Extra Brut Champagne under the name ‘Essentiel.’

Emilien talked about how releasing the 1982 Extra Brut Champagne was a way to show consumers the “bold side” of Piper that was beyond its time and besides it being the first old vintage of Piper-Heidsieck he tasted, the vintage is similar to the current 2022 growing season; 1982 was considered a warmer vintage like 2022 yet what was considered warmer back in the 1980s is entirely different than today. The 1982 vintage produced concentrated grapes so it was ideal for making as an Extra Brut only adding four g/L (grams per liter) during the dosage2 as the acidity wouldn’t have been as sharp. And in a way, it was unknowingly a first step in finding balance with climate change even though permanent changing conditions, such as higher average temperatures, weren’t considered the severe threat it is today.

And down the line, Emilien said he has some exciting bottlings to release that will show how Piper-Heidsieck finds harmony with much warmer vintages.

Twins with Different Life Experiences 

Piper-Heidsieck Hors-Série
Photo Credit:
Piper-Heidsieck Champagne

Not only will Champagne enthusiasts be able to try the limited edition of the Hors-Série 1982 bottle just recently released onto the market but they will also be able to taste two 1982 twins that have gone on two different journeys. There will be another release that will be extremely limited within a two-bottle box, including the Hors-Série, which was disgorged3 in January of 2022, and the other, the Brut Sauvage, disgorged in 1992. Both of the bottles not only come from the same vintage, but they are the same blend and went through the same winemaking process (both have four g/L residual sugar added during dosage), yet when it comes to disgorgement, they have taken two different paths. It is fascinating to taste them side by side, tasting two older Vintage Champagnes that have the same heart and soul, which are noted in both the core of each wine, yet there are several nuances of variations between the twins.

This new release of the 1982 Hors-Série, especially the box set of the twins, is multilayered in the wines’ expressions and their combined story; a story that shows the deep respect Piper-Heidsieck has for the past but is ready to make giant leaps into the future.

And in a way, these two bottles represent the changing of the guard from the legendary former chief winemaker Régis Camus to the current, Emilien Boutillat. Both men were born and raised in Champagne and have a passion for excelling by making the best Champagne in the world. Still, Régis started immediately working for a Champagne house. In contrast, Emilien worked in various wine regions such as iconic producers in Bordeaux, the Southern Rhône, as well as New Zealand, California, Chile and South Africa. One journey is not better than the other as they both have what they need at the core, but certainly, a different life experience is navigating Piper-Heidsieck into the future.

This is a future that still holds a lot of surprises and it is only just the beginning of this new chapter, a chapter that started when Emilien took his first sip of the 1982. 

***Link to original article published on Forbes: https://www.forbes.com/sites/cathrinetodd/2022/11/18/exciting-release-of-an-extra-brut-vintage-champagne-wine-that-is-40-years-old/

Dual Box release of Hors-Série and Brut Sauvage Photo Credit:
Cathrine Todd

There are 2,500 single boxes of the 1982 Hors-Série and 500 dual boxes of the 1982 Hors-Série and the 1982 Brut Sauvage. Emilien and his team have tasted all the bottles to ensure that all bottles released onto the market are in great shape. And the labels of the wines are similar to the past Extra Brut Sauvage labels, with the dual box set highlighting the twins as there are two holograms which, when moved side to side, shows the changing names of Hors-Série and Sauvage alternating from box to box. 

Single Box release of Hors-Série:

Hors-Série 1982: 60% Pinot Noir and 40% Chardonnay. There is a lifted brightness on the nose with intense minerality and notes of citrus flower that becomes more like juicy peach on the palate with vibrant acidity – a beautiful balance of complex aromatics, fresh fruit and lots of energy with a very long, expressive finish with notes of salty lemon and toasted bread. Suggested retail price is $599. 

Hors-Série 1982 and Brut Sauvage 1982
Photo Credit: Cathrine Todd

Dual Box release of Hors-Série and Brut Sauvage:

Hors-Série 1982: 60% Pinot Noir and 40% Chardonnay; tasting note given above. 

Brut Sauvage 1982: 60% Pinot Noir and 40% Chardonnay. There is more evolution with the Brut Sauvage 1982 compared with the Hors-Série 1982. Decadent notes on the nose such as honeycomb, pineapple upside down cake and brioche with a creamier palate that feels lush in the mouth with a long, flavorful finish and a touch of caramelized apples. It is interesting how the 1982 Brut Sauvage is creamier and richer on the palate than the Hors-Série as one might think that the one on lees longer (the Hors-Série) would have more creaminess on the palate but the post-disgorgement aging, known as the maillard reaction between the sugars (added at dosage) and amino acids, can create a richness that might explain why the Brut Sauvage is creamier. Suggested retail price is $1,500.

1 The Brut Champagne category is allowed to add 0 to 12 g/L of sugar to the dosage but many times, in practice, the amount added is between 10 to 12 g/L to balance the high acidity. The Extra Brut category is only allowed between 0 to 6g/L as it is a drier style.

2 Dosage is the tiny amount of wine that tops off the Champagne bottle after disgorgement.

3 Disgorgement is the ejection of the deposit collected in the bottle’s neck due to the remuage process. Remuage is the process that allows the sediment (lees created by the second fermentation in the bottle to develop bubbles) to collect in the neck of the bottle in preparation for disgorgement.

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Investment In Mountain Vineyards Pays Off For A Wine Producer In Southern France

Over twenty years ago, Nicolas and Miren de Lorgeril sought out vineyards at higher altitudes in the foothills of mountains in Southern France without any idea that climate change and global warming even existed. At the time, they were going against the grain in their Languedoc region as it was an area that was known for cheap wines and the stigma stuck even when producers were making high-quality wines, but at the time, it was thought that if winemakers made very ripe, concentrated wines with lots of density then they would be taken seriously. But Miren and Nicolas were young and pulled away from other opportunities to help with Nicolas’ family vineyards as his mother was getting tired and the dream of his father, who passed 15 years earlier, had not been fully realized.

Not only would Nicolas’ father’s dream eventually be fully realized but that dream would be taken to heights that he could have never imagined.

Maison Lorgeril 

Château de Pennautier
Photo Credit: Maison Lorgeril

The Lorgeril family has been the caretaker of a precious Languedoc estate, Château de Pennautier, since 1620, so their roots go deep within this southern region of France. But like many other wine regions in Europe in the mid to late 1800s, the devastating pest phylloxera destroyed the vineyards of the Languedoc, forcing its local economy into a tailspin. And despite their historic family estate standing as a glorious monument for the area, known as the Versailles of the South, times were extremely tough for the local people and the Lorgeril family. And so people could no longer plant vineyards on the hillside, as quantity was more important than quality because locals were just drinking during those desperate times to gain enough calories to work, and hence, the vineyards were relegated to the fertile lower plains. “My husband’s grandmother sold hillside land so she could afford to buy the land in the plains for growing grapes,” noted Miren de Lorgeril, as the mentality is undoubtedly the opposite today, with the hillside being much more greatly valued.

Miren and Nicolas de Lorgeril with kids
Photo Credit Maison Lorgeril

When Miren and her husband, Nicolas de Lorgeril, were first married, he was pursuing another career outside of winemaking and she was working for another producer in the Rhône Valley – not that far from the Languedoc, and then Nicolas received word from his mother that she had reached an age where it became too much to oversee their Maison Lorgeril family estates and that he needed to take over. Miren immediately followed her husband to the Languedoc and at the top of their agenda was to produce fresh, elegant wines. Immediately they went to each estate to notify the winemaker, to his disbelief, that freshness and elegance were preferred over intense concentration. 

Miren and Nicolas fiercely worked to make elegant wines from their vineyards that were managed with sustainable practices while also pursuing sales in other countries all around the world instead of continuing the tradition of selling through a local wine merchant, as the wine merchant was all about taking the easy path of selling the wines as bargains completely ignoring the lovely sense of place that their wines were displaying. During this time, Nicolas continued his other career helping finance the significant changes necessary to bring his family’s wine business to the next level. 

Reaching for Greater Heights

After many years of trying to break into various European and Asian markets, Miren and Nicolas decided that they needed to buy more estates throughout Languedoc as well as their neighboring region Roussillon. Many of the distributors from other countries were impressed by their wines at the time, yet they needed a broader range of styles, grapes and terroirs to have any chance of entering international markets. And this became the motivator for the Lorgerils to buy more vineyards in different areas, vineyards that were high-elevation sites within the Languedoc-Roussillon that ranged between 400 to 1,200 feet above sea level. If they were going to put everything on the line to make the world stop and appreciate the brightness and elegance that came from their region, they would go all in and choose the vineyards that they thought represented the best of the Languedoc and Roussillon. And then, in 2000, they released the first vintage of their wines labeled ‘Terroirs d’Altitude,’ bringing a focus to their cooler climate sites which went against the big and robust wines that the Languedoc had built its reputation on.

Château de Pennautier vineyard 
Photo Credit: Maison Lorgeril

Now, as many parts of the world are experiencing record heat waves such as what happened to various parts of the Western world during this past summer, the Lorgerils couldn’t be happier that the choices they made so long ago, when they had no knowledge of climate change, are benefiting them today and guaranteeing a solid future for their children.

Dynamic Wine Region 

There are many European wine regions where the locals resent outsiders buying estates and making wine. And although Nicolas de Lorgeril traces his family back to 1620 in the Languedoc, he and his wife love that there is no over-evaluation of their land as it allows young people from all over to purchase vineyards in the Languedoc to pursue their dreams, bringing with them lots of creativity and a dynamic energy that has helped to make much of the wine region organic, and the Lorgerils became organic ten years ago. Miren de Lorgeril said it is a big contrast to when they first came to the Languedoc as it seemed impossible to get the world to take them seriously as a wine region. Yet today, the Languedoc is becoming a place where many retail stores and restaurants around the world want to source their French wine selections as the wine producers are finding an ideal balance of ripeness and freshness in higher-elevation sites, it is extremely easy to be organic there and the prices are very reasonable.

All those years ago, Nicolas de Lorgeril’s father believed that the Languedoc could become a high-quality French wine region, even in the shadow of Bordeaux and Burgundy, and he wrote precise instructions for his wife to follow to make high-quality wine in case of his death. And in a way, that paper has become the greatest treasure he could leave his family as it gave hope for a brighter future – he was determined that his beloved region would not fall into obscurity, with many abandoning vineyards for other crops.

But maybe he couldn’t imagine that his son and daughter-in-law would sell the family’s wines all over the world and that people from different places would move to the Languedoc because they saw the potential of it becoming the next exciting wine region in Europe. Or maybe, just maybe he could imagine all of this, and more to come, as he sat gazing at his stunning Château de Pennautier estate, knowing that even though locals were living hand to mouth, that just like his glorious palace, the best vineyards were waiting to be discovered by the world. And once they were, the world would completely be taken by the beauty that came from his home.

***Link to original article published on Forbes: https://www.forbes.com/sites/cathrinetodd/2022/11/10/investment-in-mountain-vineyards-pays-off-for-a-wine-producer-in-southern-france/

Bottle of Château de Caunettes
Photo Credit: Maison Lorgeril

Maison Lorgeril Languedoc Rosé

2021 Maison Lorgeril, Ô de Rosé, Languedoc, France: 60% Grenache, 35% Syrah and 5% Viognier harvested from three different estates in the Languedoc and then vinified together. Lovely white cherry notes and wet stones with a touch of raspberry on the finish.

Maison Lorgeril ‘Terroirs d’Altitude’ Estate Wines 

 2020 Marquis de Pennautier, Chardonnay, Cabardès, Languedoc, France: 100% Chardonnay from their historic Pennautier estate in the hilltop town of Carcassonne in Languedoc. In a north-facing site that ranges from 750 to 1,200 feet in altitude. Lemon curd flavors with hints of minerality and a creaminess on the mid-palate with spices and bright acidity. And this Chardonnay is one of their most popular wines, which may seem odd considering Chardonnay’s spiritual home, Burgundy, is just north of them. But the balance of just enough fruit ripeness with the bright acidity and minerality at a moderate price point has made this wine a big seller.

2019 Château de Caunettes, Cabardès, Languedoc, France: Red blend of 60% Syrah and 40% Grenache. Upheaved earth with turmeric powder and cardamom pods balanced by black cherry juicy fruit.

2019 Château de Ciffre, Saint-Chinian, Languedoc, France: Red blend of 50% Syrah, 40% Grenache and 10% Mourvèdre. Fresh blackberries with a touch of leather and bacon fat with finely etched tannins. 

2019 Domaine de la Borie Blanche, Minervois la Liviniere, Languedoc, France: Red blend of 70% Syrah, 20% Mourvèdre and 10% Grenache. Red blend of Syrah (of which 50% is grown on schist soils and 20% undergoes carbonic maceration) and the rest Mourvèdre and Grenache. Hints of black pepper on the nose with wild mushrooms and wildflowers in the background and good weight on the palate with fresh mulberry fruit and black cherries finishing with silky tannins.

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‘Rare’ Champagne Wine Producer Displaying Its Environmental Commitment Through Art

2012 Rare Rosé Millésime Champagne with William Amor’s Créations Messagères
Photo Credit: Antony Magne

The glittery pink jewels that sparkled in the light attracted the fashionable crowd at The Ritz Carlton Nomad ‘Champagne and Art’ event as they seemed like bejeweled beacons that called out to the sophisticated guests. As one approached closer and closer, the exquisite shapes and brilliant colors of the gems were even more impressive and as some of the guests would sneak a touch of these sparkly treasures, around bottles of oustanding Vintage Rosé Champagne, they were further astonished by the overall lightness of being that gave these jewels an otherworldly quality.

As one of the fabulous attendees gazed with amazement at these gems, a French artist, William Amor, started to explain how he can create jewelry and flowers from waste… yes, waste such as plastic bags, plastic bottles and even cigarette butts, to name a few of his materials. His flowers are just as bewildering as his gems as even to the human touch they seem so real one starts to second guess whether there were some real flowers placed among the fake ones made from waste; but no, they were all crafted from trash and sculpted by human hands.

‘Rare’ Champagne 

Maud Rabin, director at Rare Champagne, and French artist William Amor, showing Maye Musk his Créations Messagères
Photo Credit: Antony Magne

Maud Rabin, director at Rare Champagne, orchestrated a fantastic event at The Ritz-Carlton Nomad, in Manhattan, New York City, to launch the 2012 ‘Rare’ Rosé a couple of weeks ago and the event illustrated how the values of Rare Champagne are intrinsically connected to those of William Amor’s creations. Rare Champagne first found notoriety among the royal court of Queen Marie Antoinette when she tasted the first ‘Rare’ cuvée back in 1785, and the current ‘Rare’ wine label, a golden lace crown, is symbolic of its noble origins.

Maud says the qualities she and her team look for in creating a ‘Rare’ Champagne are “boldness, elegant freedom and creative energy” that is ultimately a “truly transcendent Champagne .” Emilien Boutillat, the chief winemaker of ‘Rare,’ further noted that he, Maud and their team all work together in regards to staying true to the style as well as being ruthless when it comes to the selection process in finding the most extraordinary vintages. Of course, the most influential person in deciding the epitome of Rare Champagne is the former chief winemaker, Régis Camus, who was there for almost 30 years and received the prestigious title of “Sparkling Winemaker of the Year” eight times. Régis was leading the team when the final blend was decided for the 2012 ‘Rare’ Rosé, as well as determining when the ideal time was to release the wine onto the market regarding its stage of evolution in bottle. And Maud noted that she and Emilien are like Régis’ “babies” to whom he is handing over his remarkable legacy, so he is continuously checking in with them which is very convenient for Régis as he lives down the street.

Emilien spoke about the range of vineyards that they used in 2012 to create the Rare Rosé Millesime cuvéewhich includes eight Grand Cru and three Premier Cru vineyards as well as one that is not classified under Champagne designation, a Pinot Noir vineyard that is in the south of Champagne, closer to Burgundy, and it makes the red wine they use to add color and an extra complexity to the final blend as all the other Pinot Noir grapes in the blend from the Grand Cru and Premier Cru sites are gently pressed off their skins quickly, producing white wine and so the color comes from this particular plot. The 2012 Rare Millésime Rosé is given the name “Virtuoso” as it expertly balances a generosity of fruit, floral notes and spice with the minerality and freshness at the soul of ‘Rare.’ The Rare Millésime Brut and the Rare Millésime Rosé are both made up of Chardonnay and Pinot Noir grape varieties, with Chardonnay dominating in both, such as the 60% Chardonnay in 2012 Rare Millésime Rosé. 

The dominance of Chardonnay, specifically with some plots based in cooler sites in chalky soils, is a key part of the ideal expression at the core of ‘Rare,’ giving it an overall elegance and minerality. Interestingly, exotic tropical notes are also part of the key to a cuvée worthy of being called ‘Rare’ as the Chardonnay from cooler sites will retain most of their aromatic profiles including the tropical notes that are burned off first in warmer sites. Hence, notes such as lychee fruit will be present. 

Créations Messagères 

2012 Rare Rosé Millésime Champagne with William Amor’s Créations Messagères
Photo Credit: Antony Magne

‘Rare’ has partnered with French artist William Amor and his Créations Messagères creations to produce Mathusalem 6-liter bottles of 2012 Rare Rosé Millésime that have his exquisite ornaments of “flowers” and “jewels” adorning these stunning bottles of champagne. William became obsessed with inventing a way to transform abandoned plastics, and other items considered trash, into poetic messengers that bring attention to the single-use materials of the world having catastrophic effects on the Earth; also, with the help of a grant, he has been able to purchase 19th-century tools for flower-making, hence, keeping an ancient art alive yet with a modern twist of bringing attention to the dangers of certain materials.

Immediately, it is evident that the Créations Messagères and 2012 Rare Millésime Rosé Champagne share a unique beauty. Still, there is a deeper connection with ‘Rare’ becoming a certified B Corp, which indicates a high standard concerning social and environmental performance, accountability and transparency. Sustainability doesn’t only apply to the impact on the environment under a B Corp Certification but the sustainability of establishing and continuing a good working environment for employees is also part of the commitment. A further connecting bridge is an awareness of protecting vulnerable people, such as employees, or those who could have their full potential underestimated, such as people living with disabilities, as William Amor started a program at his workshop where disabled people can tap into their creative power.

‘Rare’ Gem  

When one thinks about dreaming of an aspirational lifestyle surrounded by luxury products that represent the height of social prestige and material success, there can be a disconnect between the outstanding craftsmanship of the product versus the ideal ethical standards that should be part of such a rare gem. Often those rare goods were part of destroying precious resources or damaging a community or a lot of lives lost just to acquire a precious object that was so rare. But as younger generations are demanding immediate action regarding the climate change crisis, they are putting their money towards things that align with their concerns and ethics. A product that isn’t part of the good fight will never have any value to those who are most worried about the fate of the human race.

As there is a shift in younger buyers of luxury products who only support goods that share the same values as themselves, one can start to become hopeful that the most sought-after items will have to be part of ensuring a better future. 

Just imagine that one day, the epitome of luxury could be represented by a gem created by a passionate artist, who made something so uniquely beautiful that it was truly “rare” but, in this case, did not come at a human price.

***Link to original article on Forbes: https://www.forbes.com/sites/cathrinetodd/2022/10/27/rare-champagne-wine-producer-displaying-its-environmental-commitment-through-art/

2012 Rare Rosé Millésime Champagne Photo Credit: Cathrine Todd

2012 Rare Rosé Millésime Champagne: 60% Chardonnay and 40% Pinot Noir. 12 Crus of which eight are classified as Grand Cru and three as Premier Cru. Intense minerality on the nose such as broken chalk with notes of cherry blossom and rose petal with a combination of exotic lychee fruit combined with brambly forest fruit and juicy peach on the palate enhanced by orange zest and cardamom pods with extremely fine bubbles that create a silky texture and long, expressive finish.

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Famous Bordeaux Wine Family Partners With Historic Port Family, Creating An Elegant Wine With A Unique Terroir

No set of eyes conveyed the paradoxical characteristics of exhaustion and electricity more than the man who surveyed the wine grape bunches on the vines with a fierce intensity. At any moment, this winemaker, with his weary, electric eyes, would have to throw it into high gear to get his team together to harvest within an hour’s notice as grapes destined for a stellar wine cannot wait in the Douro Valley, unlike other fine wine regions which can, many times, schedule a week or so out. And with every examination that takes place along the vineyard rows, there is a mixed feeling of hoping for a sign that would allow him to start picking the grapes, finally being able to release his team from their frustrating purgatory, contrasted by a potential feeling of euphoria when he finds out that his most highly-regarded variety, Touriga Nacional, will be able to stay on the vines longer, ultimately increasing the chances of an excellent vintage.

But this is the Douro Valley, tucked away in the mountainous Upper Douro Valley in north-eastern Portugal, and its extreme viticulture is like no other as vines grow on rocky soils, steep slopes, have little access to water (low rainfall and many vineyards cannot be irrigated) and grow within century-old vineyard terraces that always need maintenance. Outstanding fortified Port wines have been a big part of its fine wine legacy and, in recent years, high-quality big, robust, non-fortified red wines; yet in some spots, the Douro is capable of a delicate beauty and pure expression of place that is breathtaking considering the various aspects of its terroir.

Quinta de Roriz vineyards

The wines that have those exquisite characteristics of delicate beauty and pure expression come from the Quinta de Roriz and Quinta da Perdiz properties; Roriz is located on the South bank of the river Douro in the heart of the Upper Douro region, where a natural north-facing amphitheater that reaches up to 1,500 feet in altitude is located and Perdiz lies on a steep gradient on the other side of the same mountain. The Symington family, who first became part of the Port world in the Douro back in the 1880s, started to experiment with making non-fortified wines back in the 1990s, as Port is fortified with a neutral spirit in the middle of its fermentation. They wanted to show the world beyond Port drinkers the extraordinary sense of place of the Douro Valley. The Symington Family Estates, which is 100% family-owned and family-run – unfortunately becoming a rarer situation in today’s time – started to experiment among their many estates in the Douro to see if it was possible to make a non-fortified wine that could not only live up to their most outstanding fortified Port Vintage wines but could also compete with the great non-fortified wines of the world.

Finally, Rupert Symington and his cousin Charles Symington, CEO and head winemaker at Symington Family Estates, respectively, not only found an ideal partner in this venture, Bruno Prats, former owner of “super-second” Château Cos d’Estournel in Bordeaux, but found the perfect vineyards on the Quinta de Roriz and Quinta da Perdiz estates. Roriz has traces of tin intermixed within the schistous soil from an old mine at the highest point of the estate, and hence, is said to give a strong minerality to the fruit grown on the property as well as its north-facing position ensures to retain aromatics; as opposed to Perdiz, on the other side of the same mountain, has a warmer micro-climate that produces fruit that makes ripe, velvety wines.

Chryseia 

2019 Chryseia 2020 Post Scriptum de Chryseia

The Prats and Symington families purchased the Roriz and Perdiz estates around 20 years ago, the Prats family contributing expertise in making one of the most excellent red wines in the world as Bruno Prats is credited with bringing Cos d’Estournel to true “super-second” status. The Symington family brings their expertise of the Douro Valley as they have lived and breathed these vineyards for almost a century and a half.

Rupert and Charles Symington had been experimenting with an array of different varieties from their various prime estates throughout the Douro, but the Touriga Nacional and Touriga Franca red grape varieties from the Roriz and Perdiz properties were the ideal combination for a wine that showed a potential for outstanding quality. And hence, the ‘Chryseia’ wine was born, which means “golden” in ancient Greek, and it is also a play on the word “Douro,” meaning “golden” in Portuguese. Subsequently, a second selection, ‘Post Scriptum’, as well as a third selection, ‘Prazo de Roriz’, that is 100% sourced from the Quinta de Roriz estate, were created.

Unlocking Pure Expression of a Place 

Harvest boxes waiting outside of Quinta de Roriz

It has been a journey of discovery for both the Prats and Symington families as well as for many other wine producers in the area, as the Douro Valley was seen as a place that should only make great Port wine and, in special circumstances, great big, bold red wines; the elegant wines of ‘Chryseia’ took many aback with initial criticism thrown at this extraordinary project. But these legendary wine families were determined to show the nuanced sense of place without using techniques in the winery that would over-extract the wine, which is a key to many other great wines in the Douro. Even Bruno Prats, who had his own past challenges with his Cos d’Estournel estate, proving to the world that it deserved to be considered on a par with the First Growth wines – which has become a reality today, was completely surprised how the vineyards that make up the ‘Chryseia’ wine could not only survive in periods of intense heat without any water but that the vines thrived and produced exquisite fruit that had a subtle beauty and distinctive sense of place.

Miguel Bessa, winemaker of Quinta de Roriz and the ‘Chryseia’ wines, says that the 2020 vintage, the warmest year of the century in the Douro, as well as 2022, which may surpass 2020, have both proved that they can still make outstanding wine that is equal to more moderate years, which gives them a lot of reassurance for the future because he feels that even though the Douro wine region has “300 years of knowledge in taking care of their vines,” the ‘Chryseia’ wines’ goal is different in aiming for an elegant red wine, as opposed to making Port. So they have only had 20 years of experience with this goal which is a small amount of time, although they have made significant improvements with the wines and how they manage the vines; and Miguel feels that there is still room for improvement and looks forward to this project becoming the ideal way to showcase the depth of complexity that happens when they unlock the terroir expression in some of the region’s best vineyards.

Fermentation tank at Quinta de Roriz

Miguel has even started experimenting with non-Saccharomyces yeast to ferment a few of his wine vats (Saccharomyces is the yeast most commonly used for wine ferments) to enable him to use less sulfur and potentially allow the wine to greater express a sense of place. As he finds that there is no risk of spoilage yeast, which could create unpleasant aromas, taking over when using non-Saccharomyces hence he doesn’t need to use as much sulfur – but time will tell. It may be another leap in taking these wines to an even more extraordinary level.

A Wine Representing the Soul of the People

But nothing could ever take the place of Miguel’s eagle eyes constantly walking up and down the vineyard rows combined with his crew ready to jump into action at any moment, as yes, they do pay the price in the hottest years with losses in yields that are anywhere between 20% to 30%, yet it is their unwavering commitment that keeps enough of the grapes at a high-quality level that is worthy for the ‘Chryseia’ project. That is why Miguel lives at Quinta de Roriz during harvest, not returning home for over a month, if not longer.

Many give Miguel so much credit and note that it is his team and especially Miguel himself who make this project possible, but such praise makes Miguel uncomfortable as he is a quintessential Portuguese person who shuns the limelight as the culture expects people to keep their head down and to not stand out in any way. His softly spoken words are indicative of the finely textured structure of his wines and his depth of thought and quiet intelligence is also evident. In a way, the ‘Chryseia’ wines, with their overall finesse, really do reflect the soul of the place, although the wines may go against the more traditional idea of making red wines that are reminiscent of Port. But the ‘Chryseia’ wines give the drinker a chance to not only experience an incredible terroir but also to truly experience the physically and mentally tough people who work in some of the most extreme vineyards in the world yet despite the arduous work, they are some of the gentlest people who have the patience to continue the precision necessary to make fine wine in the Douro Valley consistently.

***Link to original article on Forbes: https://www.forbes.com/sites/cathrinetodd/2022/10/14/famous-bordeaux-wine-family-partners-with-historic-port-family-creating-an-elegant-wine-with-a-unique-terroir/

2019 Prazo de Roriz, 2020 Post Scriptum de Chryseia and 2019 Chryseia

2019 Prazo de Roriz, Douro Valley, Portugal: 35% Touriga Nacional, 20% Touriga Franca, 15% Tinta Roriz, 10 % Tinta Barroca and 20% mixed varieties; third selection of Chryseia. This wine is overall fresh and bright with lovely strawberry fruit and stony minerality and a soft texture.

2020 Post Scriptum de Chryseia, Douro Valley, Portugal: 51% Touriga Franca, 34% Touriga Nacional with Tinta Roriz and Tinta Barroca making up the rest of the blend; second selection of Chryseia. Pristine red cherries with wet river stones and hints of baking spices on the nose with excellent vitality on the palate with fresh red fruit intermixed with broken gravel.

2019 Chryseia, Douro Valley, Portugal: 75% Touriga Nacional and 25% Touriga Franca. This vintage should be arriving in the U.S. soon and it is a stunning beauty already even though it is far from improving in bottle and it will easily last at least 20 years, if not longer. Pretty lifted aromas such as rose oil intermixed with complex notes of tar, tobacco leaf and crushed rocks with a finely etched tannic structure highlighted with subtle blackcurrant fruit and a long, expressive finish.

2020 Chryseia, Douro Valley, Portugal: Do not have the breakdown of the varieties, but it is majority Touriga Nacional blended with Touriga Franca. Also, this wine is still aging so it will not be released on the market until next year. Intense minerality with notes of graphite and turmeric spice balanced by rich blackberry preserves with a slight tannic grip that gives a lift to the lush fruit finishing with aromas of wildflowers. Surprising how delicious this wine is already at this stage.

2009 Chryseia, Douro Valley, Portugal: 70% Touriga Nacional and 30% Touriga Franca. Bright acidity with a smoky minerality that has enticing notes of espresso and ripe raspberry intermixed with crushed rose petal, rosemary and zingy cranberry that has a lot of tension. So complex and multi-layered.

2015 Chryseia, Douro Valley, Portugal: 65% Touriga Nacional and 35% Touriga Franca. Silky tannins and good fleshy black fruit on the palate are enhanced by notes of orange rind, cocoa powder, and the development of cigar box notes with a breathtaking overall quality of refinement.

2017 Chryseia, Douro Valley, Portugal: 75% Touriga Nacional and 25% Touriga Franca. Beautiful mineral purity on the nose accompanied by aromas of jasmine and spice has juicy cassis flavors with a fine texture that caresses the palate. A wonderful example of concentration and overall finesse – awe-inspiring.

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